Available at Amazon Check Price Today! While the 5D Mark II is not without its flaws, no other camera can touch its combination of resolution, sensitivity, noise performance and price.
Available at Amazon Check Price Right now! While the 5D Mark II is not without its flaws, no other camera can touch its combination of quality, sensitivity, noise performance and price. While the camera has proven itself as a powerful force capable of producing stunning results, those great videos have come from the likes of Vincent Laforet with his Reverie short film (see clip below). While this is not a glowing recommendation, I would recommend the 5D Mark II to anyone – keeping in mind the above-noted reservations, of course. Along with the 35mm format and voluminous -pixel count, the ISO performance is one of the biggest attractions to the Canon 5D Mark II. Additionally, ISO 6400 and below should print just fine in black and white on newspaper.
If you don’t know what it means to your workflow or you never print above 16×20 or 20×30, then the difference in megapixels is very slight. If you think that the video feature is another great convenience for this DSLR, then I encourage you to take that thought out of your buying equation. Don’t think you can order a 5D Mark II, pull it out of the box and go shoot your first feature-length film though. The real difference between your 5D Mark II and Nikon D700 (for those of us that don’t “need” huge image files) is autofocus and metering.
I have had RAW files weigh in at over 30 megabytes per file! In these categories, I have found the Nikon D700 to have a much better success rate. What’s more, Nikon had plenty D700’s available almost from the day of the announcements. But, in real world low light capturing, the Nikon D700 just has a better autofocus at all of its 51 AF points. I’ve processed these in my normal work flow rather than for a camera or lens test, so I consider these to be real world results.
In the same time, the lens offers three SLD glass elements that effectively compensate for color aberration, along with a piece of glass mold and two hybrid aspherical lenses that offer excellent modification for distortion and all types of aberration. The lens is distinguished by its three special low dispersion (SLD) glass elements, which effectively compensate for color aberration, and its aspherical lenses, which provide maximum correction for distortion and various aberrations. The lens incorporates an indoor focusing system that eliminates front zoom lens rotation, letting you use a petal-type hood to protect from additional glare. LCD Monitor Screen Protection KitThe Accuracy Design EW-60C Lens Hood for Canon EF-S 18-55mm f/3. 5-5. 6 IS CERTAINLY Zoom Lens is primarily designed to prevent unwanted stray light from getting into the lens by extending and shading the end of the lens.
As a result, the lens produces an extremely high image quality throughout the whole zoom range. The Sigma 10-20mm lens is so respected that it was named the best consumer lens in Europe (2006) by the Technical Image Press Association (TIPA), a collection of 31 publications from 12 countries. Available for the first time in an EOS camera are Canon’s new creative image filters. The EOS 60D DSLR’s video functions are supported by two key proprietary Canon systems, a DIGIC 4 Imaging Processor and a large APS-C-sized CMOS sensor capturing fine detail and color with a fantastic cinematic depth of field. The new EOS 60D camera’s movie mode also includes manual controls for exposure as well as manual sound levels in sixty four steps, much like the latest firmware update for the EOS 5D Mark II HD-SLR.
Canon has also included an in-camera movie editing feature, allowing users to shorten a video file by clipping segments from the beginning or the end, eliminating unwanted portions without outside software. See Photography Bay’s Canon 5D Mark II vs. The Canon 5D Mark II just feels good in your hands. Those who venture into dimmer locations may be left with a bit of frustration when the 5D Mark II’s autofocus begins to hunt. Studio shooters will adore this camera, as will many other photographers who shoot in environments where light abounds. I also see no problem with online-only images that will be viewed below, say, 800 pixels. These cross-type sensors at all AF points make an obvious difference in AF speed and precision in everyday shooting situations.